The LP Analyst team took a field trip to see The Impressionist Revolution, a special exhibit at the Dallas Museum of Art, featuring Monet, Degas, Renoir and Matisse among other renowned 19th-century artists. 👨🎨🖼🎨
Appraisers often rely on private sales data from dealers, highlighting the crucial role art dealers play in the art market. 🎨🌍 Dive into the pivotal role of art dealers in shaping the transatlantic art market from the late 19th to early 20th centuries! In an often overlooked perspective of the art market's history this new publication, "Money in the Air: Art Dealers and the Making of a Transatlantic Market, 1880–1930," shows how these figures not only influenced art collections but also significantly impacted the foundations of major American art museums. #ArtHistory #ArtMarket #ArtDealers
Congrats to editors Gail Feigenbaum, Sandra van Ginhoven, and Edward Sterrett, on the publication of “Money in the Air: Art Dealers and the Making of a Transatlantic Market, 1880–1930”. This volume explores the often-overlooked role of art dealers in creating a transatlantic art market in the late 19th and early 20th centuries. It offers new perspectives on the development of art collections that formed the core of American art museums, such as the National Gallery of Art, the Metropolitan Museum of Art, and the Frick Collection. #ArtHistory #Scholarship #Collecting
Realist painter with a passion for portraiture. (Former Chief Science Officer, Sotheby’s, New York and London)
AN AMAZING VIDEO ABOUT ART CONSERVATION, the career that I chose in the 1980s for the reasons shown and explained in the video (never have I regretted that choice). It illustrates why conservators can be valuable resources in studies of age, attribution, and authenticity, because they spend years studying the chemistry, degradation, and preservation of cultural property - and - years looking very closely at objects. But - and this is important - do not expect most conservators to say whether an object is authentic or inauthentic, misattributed or correctly attributed, old or period, because codes of ethics and guidelines for practice for conservators require a sound basis for such opinions (not mere speculation), and offering such opinions can open them to liability. Rather, listen closely for what conservators say or don’t say about authenticity, attribution, and age; for example, “wouldn’t it be interesting to have this object examined in a laboratory” or “You might ask [so and so] to look at this.” That might be what they are able to say, that you should hear. Hope this helps.
So much work goes into an exhibition before we open our doors. For months, our conservators, curators, and beyond have been busy preparing works for our big fall exhibition “Georgia O’Keeffe and Henry Moore," which features more than 150 works and recreations of each artist's studio. Organized by The San Diego Museum of Art, the exhibition is an unprecedented collaboration with the Georgia O'Keeffe Museum and the Henry Moore Foundation. 🗓️ Member preview begins October 9 before the exhibition opens to the public on October 13—reserve your timed-entry tickets now! http://ms.spr.ly/6044mtYAy
Three of the reasons why attending our luncheons is an important part of professional growth. These events are an opportunity to network, learn, and stay up-to-date with industry trends. 1. Networking Opportunities Build Professional Connections: These lunches bring together professionals from different areas of public works, including engineers, contractors, suppliers, and government officials. Engage with Industry Leaders: The events often feature prominent leaders and experts in the field, allowing attendees to engage directly with thought leaders, ask questions, and share insights. Job and Career Opportunities: For those looking to expand their careers or businesses, attending these lunches can open doors to job opportunities. 2. Industry Knowledge and Insights Stay Informed: Public works is a rapidly evolving field with new technologies, regulations, and standards. The quarterly lunches provide an excellent opportunity to hear about the latest trends, regulatory changes, and best practices from industry professionals and guest speakers. Educational Presentations: The lunches often feature presentations on critical topics such as sustainable infrastructure, innovation in public works, and the latest project management strategies. These sessions can help attendees stay ahead in their field by learning about new solutions, approaches, and technologies. Hands-On Learning: Many events also include case studies or real-world examples, providing practical insights that can be applied to current or future projects. 3. Collaborative Problem-Solving Address Challenges in Public Works: Public works professionals often face complex challenges related to infrastructure, project management, or funding. The quarterly lunches provide a collaborative environment where individuals can share solutions, ideas, and experiences related to these issues. Community Impact Discussions: These lunches often include discussions about how public works impact local communities and how professionals can contribute to the long-term development and sustainability of infrastructure.
Next Luncheon will be on Wednesday, February 5, 2025 at Coral Springs Museum of Art. This is a great opportunity to learn about the importance of the American Public Works Associations vital role in supporting and advancing the field of Public Works. We are critical to the infrastructure and functionality of communities. Look forward to seeing you there! RSVP with this link: https://lnkd.in/eB_Z39wg
Dallas Museum of Art begins $6m storm repairs– Impressionist galleries and education spaces, closed since 2022, will finally be restored https://ow.ly/R3bn50UFYby
📝 How to Cite a Physical Location or Event in MLA Style 🌍 Did you know you can cite real-world places and events in MLA format too? Whether it’s a historic site, an art exhibit, or a concert, MLA has you covered! Here's how to do it: Format: Description or Title of Event. Title of Container, Date of Event, Location. 👉 Example: Van Gogh Art Exhibit. The Met Museum, 10 Aug. 2024, The Metropolitan Museum of Art, New York City. Keep in mind: Use italics for the container (e.g., museum, venue). Include the full date and location details. 🎯 Pro Tip: If it’s part of a larger event, include that in your citation as the container! #MLAStyle #CitingSources #AcademicTips #MLAFormat
🎨 Accessibility Innovation: PEM Offers Free EnChroma Glasses Peabody Essex Museum partners with EnChroma to provide colorblind visitors new ways to experience art. Over a dozen pairs available for red-green colorblind visitors, reaching potential 300,000 Massachusetts residents with colorblindness. "Colorblindness was overlooked... this is one of the first institutions that has taken this conversation seriously." - Petra Slinkard, Curator #MuseumAccess #ArtInnovation #MuseumTech #CulturalInclusion https://www.rfr.bz/l609124
The Metropolitan Museum of Art (MET) has introduced a secret exhibition titled Art Work: Artists Working at the Met, showcasing the artistic talents of its staff members. Narrative and object-rich and open to the public until 1 December, the exhibition showcases the talents of some 600 employees, hailing from myriad departments including security guard, mason worker, conservators and librarian. This time around, however, the museum’s employees are being recognized not only for their jobs keeping the institution moving and grooving but also for their artistic contributions. Read More: https://lnkd.in/gWggxWDb #met #metropolitanmuseumofart #metnewyork #metnyc #metny #secretexhibition #secretshow #artexhibition #artexhibitions #abirpothi
Collections Officer Mark Hall discusses how Perth Museum is addressing its colonial collecting practices. He will review the museum's origins and acquisitions through British Empire connections and highlight its current collaboration with the Māori of Aotearoa/New Zealand, including cultural returns and co-curation in the new museum. 🎟️'s https://buff.ly/3XSbj04
In March 2022, the Art Gallery of Hamilton received funding from the Digital Access to Heritage Program, which was made available through the Department of Canadian Heritage’s Museums Assistance Program (MAP). The aim of this initiative was to foster improved access to heritage collections through digitization and digital content development. The program funded the digitization of the AGH’s collection until the end of 2024. We hope you enjoy this behind-the-scenes peek at the digitization process at the Gallery! A short preview can be watched through this post, and the full video can be viewed at: https://lnkd.in/gbrBUZik
