
Soft-Vore Belly Bulge Process Tutorial
...or at least, some summary of my process when it comes to drawing this.
I thought, while sketching that picture of Skria, that maybe it was a good opportunity to elabourate. Because yeah... i did sketch out the prey's shape too in order to make it look correct.
I'd say when going for believability, making the parts actually fit by sketching them both out is the only way to go!
Just my centavos.
(wtf FA, why you so slow? ...trying this again) Wow, finally.
I thought, while sketching that picture of Skria, that maybe it was a good opportunity to elabourate. Because yeah... i did sketch out the prey's shape too in order to make it look correct.
I'd say when going for believability, making the parts actually fit by sketching them both out is the only way to go!
Just my centavos.
(wtf FA, why you so slow? ...trying this again) Wow, finally.
Category Artwork (Digital) / Tutorials
Species Unspecified / Any
Gender Any
Size 815 x 977px
File Size 362.4 kB
The way I thought about the ribs situation is that when the chest cavity expands, the cartilage that connects the ribs to the sternum is extra flexible than it would normally be. The sternum is fine as a bone, as it mostly just serves as an anchor for the 2 sets of ribs to join in the middle. Ribs do naturally move a bit for breathing afterall.
Its more or less how I do it, though when I'm drawing myself I tend to snug up the bulges a bit, since my character is more or less a flesh golem, with no actual internal organs, rubbery bones, exceptionally elastic skin and muscles, able to rearrange his physiology on the fly, etc.
Or on other words, "It doesn't have to make biological sense, he's made of magic!"
Or on other words, "It doesn't have to make biological sense, he's made of magic!"
i guess 90% of all voreart on FA has the problem, that they forget, that there are also bones in the body XD. good that someone said it :)
i have my problems drawing stuff when people want gettn something swallen that never ever fits into the mouth because there are bones too... the jaw is not made of rubber that can strech and such stuff hehehe :D
i have my problems drawing stuff when people want gettn something swallen that never ever fits into the mouth because there are bones too... the jaw is not made of rubber that can strech and such stuff hehehe :D
Of course, it depends on the style that you want to draw in.
This is an outstanding tutorial for drawing realistic predators after downing large prey. Some people -and I'm included in that! - like a more 'toony' style to their vore, and some draw it somewhere in between (the 'face visible against the hide' is a very popular intermediate style). It's really a whole spectrum.
You have to decide what style you are going for first, and that determines where you go from here. You're actually fairly good at an intermediate style, not just super-realistic; both of the pics you did for me in that style turned out awesome. But it's far less common in vore fandom to draw realistic-style, so it's definitely worth pursuing.
This is an outstanding tutorial for drawing realistic predators after downing large prey. Some people -and I'm included in that! - like a more 'toony' style to their vore, and some draw it somewhere in between (the 'face visible against the hide' is a very popular intermediate style). It's really a whole spectrum.
You have to decide what style you are going for first, and that determines where you go from here. You're actually fairly good at an intermediate style, not just super-realistic; both of the pics you did for me in that style turned out awesome. But it's far less common in vore fandom to draw realistic-style, so it's definitely worth pursuing.
And the irony is that your (relatively) understated bulges don't evidence all the work you've put into it. Most of the bulges I see include extreme levels of detail (entire faces, usually), that make it quite easy to see the prey's position. My mind immediately tries to determine how that position came about, or can be, and is usually jarred by the results... which somehow causes me to be significantly less aroused by the picture than I otherwise would be. I'm guessing most viewers (and probably most artists, too) must not have that sort of mind. :(
This is the result of most of the pet peeves I have regarding vore:
*Impossible positions
*Positions changing between frames. Most common: Arms at sides (not in front) in one frame, lower torso and below sticking out in the next (but no pinned hands visible at sides).
*Entire length of tail sticking out of the mouth. Unfortunately it looks like you succumbed to this one, though you did at least consider the length of the throat. There's only one way I can picture this situation arising, and I don't think the pike position is the most efficient way to be swallowed. Not headfirst, anyway.
This is the result of most of the pet peeves I have regarding vore:
*Impossible positions
*Positions changing between frames. Most common: Arms at sides (not in front) in one frame, lower torso and below sticking out in the next (but no pinned hands visible at sides).
*Entire length of tail sticking out of the mouth. Unfortunately it looks like you succumbed to this one, though you did at least consider the length of the throat. There's only one way I can picture this situation arising, and I don't think the pike position is the most efficient way to be swallowed. Not headfirst, anyway.
This is great! There are so many things to think about when trying to concoct a plausible scenario. Also, it can be easy to forget the prey has a skeleton too- there are so many times where I had to alter the one of the participant's positions when I realized oh it would be painful/impossible for the prey to slide down that way if the pred was curved just so!
I love these 'the realism behind the fantasy' tutorials that some artists have done. Strega's breakdown on jaw anatomy is also a favorite of mine. Yours looks amazing too. I like the bits about the rib cage and internal organs. It sounds like you know how to take yourself seriously but not too seriously, which is the way to go in my opinion.
Love this. I always sketch multiple chars fully to some extent, even if it's just delicate outlines only I can understand in the rough stages. Since you do such careful and extensive shading and texture work, I'm sure any different approach would be unbelievable in the end. Great job on the tutorial~
Kinda makes me wish there were more opportunities to draw fully visible rib cages in stretched positions >>; So beautiful in its own way.
Kinda makes me wish there were more opportunities to draw fully visible rib cages in stretched positions >>; So beautiful in its own way.
I was going to ask, as an artistic, how do you approach prey being in the stomach, in regards to air and acid? Do you just ignore it (as many people do), just handwave it or do you have some sort of idea for it? I always was under the impression that in such situations acid would burn the prey badly but it'd be the lack of air that did them in.
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